#020: waiting for my life to begin

Postcard sent to Jo Prosser, a very old friend.

Read more about “The Scottish Project” here.


#019: i tried to outrun the universe

Postcard sent to Angus Reid, Scottish poet and artist.

Read more about “The Scottish Project” here.


#018: there’s a certain futility

Postcard sent to Angus Macintosh, an old Edinburgh school chum, now living in Bali.

Read more about “The Scottish Project” here.


#017: at least i tried

Postcard sent to Margot Quinn, an old friend from my Stockbridge, Edinburgh days.

Read more about “The Scottish Project” here.


#15: do you know everybody

Postcard sent to Gavin Wolfe-Murray, an old school chum.

Read more about “The Scottish Project” here.


#14: the human condition

Postcard sent to Bruce Findlay, legendary owner of Bruce’s Records, back in the day.

Read more about “The Scottish Project” here.


#13: i tried being normal

Postcard sent to Oscar-nominated Scottitsh film director, David Mackenzie, one of my oldest and dearest friends.

Read more about “The Scottish Project” here.


#003: The way I droned on and on…

Postcard sent to Kevin Williamson, poet, book editor, the guy who discovered Irvine Welsh and the founder of Rebel Inc.

Read more about “The Scottish Project” here.


 “THE SEX & CASH THEORY”.

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In 2004, I wrote a blog post about how artists and creative types should hang on to their day job:

The post was titled, “The Sex & Cash Theory”:

THE SEX & CASH THEORY: “The creative person basically has two kinds of jobs: One is the sexy, creative kind. Second is the kind that pays the bills. Sometimes the task in hand covers both bases, but not often. This tense duality will always play center stage. It will never be transcended.”

The blog post ended up being read by literally millions of people (six million, the last time anyone counted); it ended up being a chapter in my 2009 bestseller, “Ignore Everybody”.

Looking back, it’s probably the passage in the book that people mention the most, when they send me fan mail. I guess it really hit a nerve.

Here’s the rest of it it. It’s thankfully not very long:

A good example is Phil, a NY photographer friend of mine. He does really wild stuff for the indie magazines- it pays nothing, but it allows him to build his portfolio. Then he’ll go off and shoot some catalogues for a while. Nothing too exciting, but it pays the bills.

Another example is somebody like Martin Amis. He writes “serious” novels, but he has to supplement his income by writing the occasional newspaper article for the London papers (novel royalties are bloody pathetic- even bestsellers like Amis aren’t immune).

Or actors. One year John Travolta will be in an ultra-hip flick like Pulp Fiction (“Sex”), the next he’ll be in some dumb spy thriller (“Cash”).

Or painters. You spend one month painting blue pictures because that’s the color the celebrity collectors are buying this season (“Cash”), you spend the next month painting red pictures because secretly you despise the color blue and love the color red (“Sex”).

Or geeks. You spend your weekdays writing code for a faceless corporation (“Cash”), then you spend your evening and weekends writing anarchic, weird computer games to amuse your techie friends with (“Sex”).

It’s balancing the need to make a good living while still maintaining one’s creative sovereignty. My M.O. is my cartooning (“Sex”), coupled with my day job (“Cash”).

I’m thinking about the young writer who has to wait tables to pay the bills, in spite of her writing appearing in all the cool and hip magazines…. who dreams of one day of not having her life divided so harshly.

Well, over time the ‘harshly’ bit might go away, but not the ‘divided’.

“This tense duality will always play center stage. It will never be transcended.”

As soon as you accept this, I mean really accept this, for some reason your career starts moving ahead faster. I don’t know why this happens. It’s the people who refuse to cleave their lives this way- who just want to start Day One by quitting their current crappy day job and moving straight on over to best-selling author… Well, they never make it.

Anyway, it’s called “The Sex & Cash Theory”. Keep it under your pillow.

Considering it’s almost 15 years old, the post hasn’t dated too badly. Martin Amis and John Travolta may have greyed a little, but the points made are still perfectly valid. The “tense duality” between art and commerce still remains and, like I said, it will never be transcended.

Looking back on three decades in the Creative game (Cartooning, fine art, advertising, film, TV, book authoring, marketing, publishing, corporate consulting… you name it, I’ve done it), it seems to me that managing The Sex & Cash Theory is the hardest part of the game.

The external stuff- making the work, finding collaborators, raising the production funds, learning how to market oneself, finding customers, learning about running the business- that’s all pretty easy in comparison.

Embracing The Sex & Cash Theory, managing the “tense duality” is the real killer…


new #hughcards 6th february 2017

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New cartoons, January 19th, 2017

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New cartoons, 31st December 2016

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